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BLUEGLASS · flow log

Long office day

Rina · 15s · 10/09/2026, 09:48:40

Film model: Seedance 2.0 mini8 steps
  1. locks the face that carries every film

    [ step 1 · 09:48 ]

    The Casting Director

    locks the face that carries every film

    Locking the face

    GPT Image 2

    [ decision ]

    Rina is the BLUEGLASS face.

    [ why ]

    One recognisable character keeps every BLUEGLASS film part of the same world.

    Rina drawn from the uploaded photo in the BLUEGLASS house style.

    [ images sent along ]

    • Character portrait

      Character portrait

  2. pulls the official product photos and checks they are usable

    [ step 2 · 09:48 ]

    The Product Researcher

    pulls the official product photos and checks they are usable

    Pulling the official product photo

    no model

    [ decision ]

    Round Blue Light Brille - Alm. Sort, 348 DKK.

    [ why ]

    Only official shop photos may reach the film engine.

    Packshot taken straight from the BLUEGLASS shop feed at full width.

    [ Source ]
    www.blueglass.dk product feed
  3. puts the real pieces on her, nothing invented

    [ step 3 · 09:48 ]

    The Fashion Stylist

    puts the real pieces on her, nothing invented

    Putting the glasses in the scene

    GPT Image 2

    [ decision ]

    Glasses rest on the desk, unworn at the start.

    [ why ]

    The film has to earn the moment she puts them on.

    The real packshot is composited unchanged; nothing is redrawn.

  4. draws the place she moves through

    [ step 4 · 09:48 ]

    The Set Designer

    draws the place she moves through

    Building the room

    GPT Image 2

    [ decision ]

    Long office day.

    [ why ]

    The tiredness has to be visible before the glasses go on.

    Home office at the end of a long day, lit by the laptop screen.

  5. writes the beats and the opening frame

    [ step 5 · 09:48 ]

    The Director

    writes the beats and the opening frame

    Writing the beats

    no model

    [ decision ]

    Three beats, one location, no cuts.

    [ why ]

    A single unbroken scene keeps the change believable.

    15 seconds: tired at the screen, glasses on, fresh energy and a coffee.

    [ images sent along ]

    • Opening frame

      Opening frame

  6. rolls the camera and sends the reference photos

    [ step 6 · 09:48 ]

    The Cinematographer

    rolls the camera and sends the reference photos

    Rolling the camera

    Seedance 2.0 mini

    [ decision ]

    Seedance 2.0 mini, 15s, vertical, with sound.

    [ why ]

    Mini is the production standard; references keep the frames faithful.

    Opening frame plus the packshot sent as references. Sound generated with the film. Anatomy rule applied: one person, two hands.

  7. checks the products across the finished frames

    [ step 7 · 09:48 ]

    The Continuity Supervisor

    checks the products across the finished frames

    Checking the frames

    no model

    [ decision ]

    Approved.

    [ why ]

    The glasses are the product — they must match the shop photo.

    Frames sampled at four points: two hands only, the round black frames stay the same shape and colour; no other eyewear appears.

  8. books the film and the rights

    [ step 8 · 09:48 ]

    The Producer

    books the film and the rights

    Booking the film

    no model

    [ decision ]

    Published.

    [ why ]

    Replaces the retired late-night test that had an anatomy error.

    Published on the BLUEGLASS page as the second test film.

Products kept photoreal