BLUEGLASS · flow log
Late night scroll
Rina · 15s · 10/09/2026, 10:16:49
[ step 1 · 10:16 ]
The Casting Director
locks the face that carries every film
Locking the face
GPT Image 2[ decision ]
Rina is the BLUEGLASS face.
[ why ]
One recognisable character keeps every BLUEGLASS film part of the same world.
Rina drawn from the uploaded photo in the BLUEGLASS house style.
[ images sent along ]
Character portrait
[ step 2 · 10:16 ]
The Product Researcher
pulls the official product photos and checks they are usable
Pulling the official product photo
no model[ decision ]
Round Blue Light Brille - Alm. Sort, 348 DKK.
[ why ]
Only official shop photos may reach the film engine.
Packshot taken straight from the BLUEGLASS shop feed at full width.
- [ Source ]
- www.blueglass.dk product feed
[ step 3 · 10:16 ]
The Fashion Stylist
puts the real pieces on her, nothing invented
Setting the before look
GPT Image 2[ decision ]
Messy morning hair before, neatly styled hair after.
[ why ]
The bigger the before/after contrast, the more satisfying the transformation.
Rina is drawn with clearly messy, tousled morning hair — the glasses packshot is composited unchanged on the nightstand.
[ step 4 · 10:16 ]
The Set Designer
draws the place she moves through
Building the room
GPT Image 2[ decision ]
Late night scroll.
[ why ]
The tiredness — and the messy hair — has to be visible before the glasses go on.
Dark bedroom at night, her face lit only by cold phone light.
[ images sent along ]
Opening frame
[ step 5 · 10:16 ]
The Director
writes the beats and the opening frame
Writing the beats
no model[ decision ]
Three beats, one location, no cuts.
[ why ]
A single unbroken scene keeps the glow-up believable without effects.
15 seconds: tired scrolling with messy hair, glasses on, hair smooths into a styled look as the light swings warm.
[ step 6 · 10:16 ]
The Cinematographer
rolls the camera and sends the reference photos
Rolling the camera
Seedance 2.0 mini[ decision ]
Seedance 2.0 mini, 15s, vertical, with sound.
[ why ]
Mini is the production standard; references keep the frames faithful.
Opening frame plus the packshot and portrait sent as references. Sound generated with the film. Anatomy rule applied: one person, two hands.
[ step 7 · 10:16 ]
The Continuity Supervisor
checks the products across the finished frames
Checking the frames
no model[ decision ]
Approved.
[ why ]
The film is rejected unless every sampled frame contains no more than the same two anatomically connected hands.
Frames sampled at eight points across the full film: exactly two connected hands throughout, no floating or duplicated limbs, messy hair before, neatly styled hair after, and the round black frames remain consistent.
[ step 8 · 10:16 ]
The Producer
books the film and the rights
Booking the film
no model[ decision ]
Published.
[ why ]
Passed the strengthened eight-frame anatomy review before publication.
Published on the BLUEGLASS page as the latest film.
