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RHANDERS · flow log

Fitting room — Rina, retimed (2.0 mini)

Rina · 15s · 09/09/2026, 05:29:30

Film model: Seedance 2.0 mini9 steps
what every agent below had to obey

[ standing orders ]

The brief

what every agent below had to obey

A 15-second vertical fashion film in Josei anime (grown-up fashion anime) style illustration. Mature elegant proportions, refined linework, soft cel shading with delicate gradients, understated expression. Fashion-magazine sensibility: sophisticated, poised, editorial. Not cute, not chibi, not childlike. Muted luxurious palette, clean negative space, precise fabric rendering. Never photoreal, never 3D render, no text, no logos, no watermark.
The character: Rina. 
The products from RHANDERS: "PILOT JACKET - SHEARLING" (Clothing) and "SWAN BAG CLASSIC - NOBLE CAPESKIN" (Bags). The products stay photoreal in every frame - real photographic material, texture, colour and hardware exactly as in the product photos - even though the character and the location are illustrated. Never stylise or redraw them.
Location: the exact boutique shown in the scene reference image (the RHANDERS store). Keep its interior, columns, ceiling and colours consistent throughout.
Story beats: 0-6s: A long, calm approach — she walks unhurried across the boutique floor toward the fitting-room curtain, the garment over her arm and the bag hanging from her hand, handle in her grip, swinging naturally with her steps. She pushes the curtain aside and steps in. 6-8s: The curtain falls back and closes behind her, settling into soft vertical folds; it hangs completely still and nobody holds it aside. 8-10s: The curtain parts and she steps out unhurried, wearing the pieces, the bag still hanging from the same hand. 10-15s: A long, steady walk on through the shop in a medium three-quarter shot where the pieces read clearly by shape, colour and silhouette; no macro close-up, no magical transformation, no shimmer, no cut to another location.
CRITICAL - only real products may be visible: she wears and carries nothing but the products listed above. Never add, multiply, swap or invent bags, gloves, shoes, garments or accessories.
The bag is a hero of this film: it hangs from one hand with the handle visibly gripped in her fingers, physically attached to her in every frame — never floating, drifting or detached — fully visible and unobscured, shape, colour and hardware as in the product photo. Medium and three-quarter framing only, no macro close-up.
Props behave physically: the curtain she pushes aside falls back and closes behind her into soft vertical folds and then hangs completely still — never left held open for the rest of the shot.
Camera: slow, elegant, cinematic moves; soft warm boutique light; no cuts faster than 3 seconds; the camera never whips or spins. Mood: sophisticated fashion-magazine editorial. No dialogue, no on-screen text, no watermark.
  1. locks the face that carries every film

    [ step 1 · 05:29 ]

    The Casting Director

    locks the face that carries every film

    Character cast

    GPT Image 2

    [ decision ]

    Rina is locked as the face of this film.

    [ why ]

    Every later step reuses the same character sheet so the face stays identical.

    Rina, drawn from the uploaded photo.

  2. pulls the official product photos and checks they are usable

    [ step 2 · 05:29 ]

    The Product Researcher

    pulls the official product photos and checks they are usable

    Official product photos pulled

    no model

    [ decision ]

    Fetched the official photos of PILOT JACKET - SHEARLING and SWAN BAG CLASSIC - NOBLE CAPESKIN at full size. The jacket photo was cropped so no other face is in the reference.

    [ why ]

    Every later step works from these exact photos — a missing photo means an invented product.

    2 of 2 product photos fetched from the shop.

    [ products ]
    PILOT JACKET - SHEARLING — https://rhanders.com/products/pilot-jacket-shearling SWAN BAG CLASSIC - NOBLE CAPESKIN — https://rhanders.com/products/swan-bag-classic-exclusive-leather

    [ images sent along ]

    • PILOT JACKET - SHEARLING

      PILOT JACKET - SHEARLING

    • SWAN BAG CLASSIC - NOBLE CAPESKIN

      SWAN BAG CLASSIC - NOBLE CAPESKIN

  3. puts the real pieces on her, nothing invented

    [ step 3 · 05:29 ]

    The Fashion Stylist

    puts the real pieces on her, nothing invented

    Look assembled

    GPT Image 2

    [ decision ]

    Kept both pieces as real product photos, not drawings.

    [ why ]

    The customer must recognise the exact item in the shop.

    Styled in the shearling jacket with the Swan bag.

    [ images sent along ]

    • the styled look

      the styled look

  4. draws the place she moves through

    [ step 4 · 05:29 ]

    The Set Designer

    draws the place she moves through

    Location styled

    GPT Image 2

    [ decision ]

    Used the store photo as the only source for the interior.

    [ why ]

    Nothing may appear in the shop that is not actually there.

    The real RHANDERS boutique, redrawn in her style, with the fitting-room curtain.

    [ images sent along ]

    • the styled store

      the styled store

  5. writes the beats and the opening frame

    [ step 5 · 05:29 ]

    The Director

    writes the beats and the opening frame

    Opening frame redrawn

    GPT Image 2

    [ decision ]

    Redrew the opening frame so the bag is clearly gripped, not resting beside her.

    [ why ]

    In the previous film the bag read as floating; the engine copies the carriage it sees in frame one.

    Frame one: the bag hanging from her hand, handle in her grip.

    [ images sent along ]

    • opening frame

      opening frame

  6. writes the beats and the opening frame

    [ step 6 · 05:29 ]

    The Director

    writes the beats and the opening frame

    Script retimed

    Gemini 3.8 Flash

    [ decision ]

    Longer approach, a brief but clear closed-curtain beat, an unhurried reveal and a long walk out.

    [ why ]

    The reveal felt abrupt because everything around it was rushed, not because the pause was too long.

    Template "Fitting room", 15 seconds.

    [ framing ]
    Medium and three-quarter shots only — no macro close-up.
  7. rolls the camera and sends the reference photos

    [ step 7 · 05:29 ]

    The Cinematographer

    rolls the camera and sends the reference photos

    Film rolling

    Seedance 2.0 mini

    [ decision ]

    Sent the opening scene with both official product photos, her portrait and the styled store.

    [ why ]

    The engine only holds a product close to the real one when it can see the actual photo.

    15 seconds, shot from the new opening frame.

    [ video prompt ]
    A 15-second vertical fashion film in Josei anime (grown-up fashion anime) style illustration. Mature elegant proportions, refined linework, soft cel shading with delicate gradients, understated expression. Fashion-magazine sensibility: sophisticated, poised, editorial. Not cute, not chibi, not childlike. Muted luxurious palette, clean negative space, precise fabric rendering. Never photoreal, never 3D render, no text, no logos, no watermark. The character: Rina. The products from RHANDERS: "PILOT JACKET - SHEARLING" (Clothing) and "SWAN BAG CLASSIC - NOBLE CAPESKIN" (Bags). The products stay photoreal in every frame - real photographic material, texture, colour and hardware exactly as in the product photos - even though the character and the location are illustrated. Never stylise or redraw them. Location: the exact boutique shown in the scene reference image (the RHANDERS store). Keep its interior, columns, ceiling and colours consistent throughout. Story beats: 0-6s: A long, calm approach — she walks unhurried across the boutique floor toward the fitting-room curtain, the garment over her arm and the bag hanging from her hand, handle in her grip, swinging naturally with her steps. She pushes the curtain aside and steps in. 6-8s: The curtain falls back and closes behind her, settling into soft vertical folds; it hangs completely still and nobody holds it aside. 8-10s: The curtain parts and she steps out unhurried, wearing the pieces, the bag still hanging from the same hand. 10-15s: A long, steady walk on through the shop in a medium three-quarter shot where the pieces read clearly by shape, colour and silhouette; no macro close-up, no magical transformation, no shimmer, no cut to another location. CRITICAL - only real products may be visible: she wears and carries nothing but the products listed above. Never add, multiply, swap or invent bags, gloves, shoes, garments or accessories. The bag is a hero of this film: it hangs from one hand with the handle visibly gripped in her fingers, physically attached to her in every frame — never floating, drifting or detached — fully visible and unobscured, shape, colour and hardware as in the product photo. Medium and three-quarter framing only, no macro close-up. Props behave physically: the curtain she pushes aside falls back and closes behind her into soft vertical folds and then hangs completely still — never left held open for the rest of the shot. Camera: slow, elegant, cinematic moves; soft warm boutique light; no cuts faster than 3 seconds; the camera never whips or spins. Mood: sophisticated fashion-magazine editorial. No dialogue, no on-screen text, no watermark.
    [ format ]
    15s · vertical 9:16 · 720p
    [ sound ]
    On — the engine's own piano and boutique ambience.

    [ images sent along ]

    • opening scene

      opening scene

    • PILOT JACKET - SHEARLING

      PILOT JACKET - SHEARLING

    • SWAN BAG CLASSIC - NOBLE CAPESKIN

      SWAN BAG CLASSIC - NOBLE CAPESKIN

    • styled store

      styled store

  8. checks the products across the finished frames

    [ step 8 · 05:29 ]

    The Continuity Supervisor

    checks the products across the finished frames

    Products and props checked

    no model

    [ decision ]

    The bag stays in her hand the whole way and the curtain falls back and hangs still. The Swan bag is still softer and rounder than the structured original.

    [ why ]

    Bag carriage and curtain behaviour were the two faults in the previous take; both hold now. Exact bag shape is still beyond the engine at this framing.

    Watched the bag and the curtain across the finished frames.

  9. books the film and the rights

    [ step 9 · 05:29 ]

    The Producer

    books the film and the rights

    Booked

    no model

    [ decision ]

    Test film — not invoiced.

    [ why ]

    Internal test run of the retimed template.

    Put on RHANDERS' account.

Products kept photoreal